Going to a waterpark is not typically my idea of a utopia; waiting in lines, chomping on Fritos covered in chili sauce in the bag whilst slipping along shoeless on slimy surfaces where (I confess) I imagine clumps of hair or certain kinds of venereal diseases (I kid! I kid!)—well, you get my point. But this past week, I had promised my son that he could spend the day there with his best friend. So, on a certain hot day, I joined the masses, packed into the parking lot, and found myself a spot of shade at Wild Waves.
After I bid the kids farewell, I laid my blanket out, having to place it in a way that fit within the growing patchwork of ground coverings that was spreading out under the tree. I set up my chair, readied my books and snacks for the day, and sat. In my view is the walkway circling the pond with a fountain. Above it, the zipline and, set up around it, the games and a shaved ice truck. In my ears is the easily recognizable 106.1 FM—my teenagers’ radio station and now our soundtrack for the day. As I begin to settle, I pull out my book: How to Fall in Love with the Future, and I begin to read…
“The colonization of time, this widespread adoption of a model of time designed to serve capital and markets, lies behind many of the forces that reduce humanity’s capacity to connect to positive futures.”1
I hear the laughter and howl of a small child and look up to see her flying—hands spread wide like a bird—overhead. As my eyes look down, they rest on the tree canopy in front of me, and there I am greeted by a small sparrow. I think to myself: “How dainty this one is. I don’t know if I have ever seen one so small. Nor do I know this tree—what kind of tree is this?” As I look around, I notice a family with a baby and two toddlers looking for shade. I invite them to join me on my blanket—my son is out and about and certainly will not use it. They thank me and hunker down alongside me. The mom and dad begin to speak to one another in a language I don’t know. Maybe Swahili?
As I return to my book, get lost in it again, I begin to hear chatter above my head in Spanish. I see a family trying to help their elderly mom sit down in the grass underneath the tree. The grass is a bit sloped and bumpy in areas, so I offer my chair to them. They gladly receive it. We work together, in the small area in front of my blanket, to secure the chair while the woman is carefully lowered down.
I go back to sitting on my blanket now, a little dimpled pile of dirt underneath my bum, a cute little baby to my right—with a mom—on a Zoom call to a friend, speaking in some African language I do not know, and a family now settled in front of me.
All of a sudden, I am lost in thought. I don’t know for how long, but I find myself tearing up—a quote comes upon me:
“Beyond the edge of the world there’s a space where emptiness and substance neatly overlap, where past and future form a continuous, endless loop. And, hovering about, there are signs no one has ever read, chords no one has ever heard.”2
A group of adult women literally skip down the hill together on my right, and one proclaims, “Oh no—be careful—skipping might actually be fun! Don’t try it!” They all laugh and skip along. A dad walks by holding the hand of a solemn-looking teenage girl who begins to smile as they talk. I see a woman in a wheelchair with no legs buying shaved ice, her friend helping her navigate the syrups on top. I hear kids squeal with joy, and a man wondering aloud with his mom where his cigarettes are as she says, “I told you to put them in the pink bag, this isn’t my fault.” He says, “I know, Mom.”
I’ve known for a while that this is Wild Waves’ last season—didn’t think much of it. But now I find myself actively beginning to grieve it, and I know that true grief can only come from a certain level of knowing and of needing. I jokingly say under my breath what my kids would say to me (I do confess I am a mystic): “It’s not that deep.”
I pick up my book again:
“Everyday utopian moments are when the present overflows with the not-yet…There’s something deeply democratic about the idea of utopian moments, which are available to all of us. They may afford sudden glimpses that the world could be quite different from the way it is, that there are certain things that may even be in our world, that point to a different kind of place, where we would like to live, where we would like to be.” 3
Sorry kids…
Mama’s going deep.
I write in my journal something that I have written before but am reminded of now:
Imagination is political.
I did not expect to write today about Wild Waves.
Hours pass, and I dip in and out of my book; the African family packs up, says farewell—the older woman decides to retire from my chair and lean against the tree for a while. A random woman comes up to tell me that my son was being rude in line. I kindly tell her that that is not my son. I do not know that child. Ah—the wild, flavor-filled soup of humanity!
Later in the day—my son and his best friend—return. It’s time to pack up and take the train into the Mariners game (can we say hello to this kid’s dream day!). I genuinely find myself sad to leave.
As we find our seat on the train, we are alone for a bit until we get to Renton. Folks pile in then, and a man sits down in front of us. He pulls up his phone, and until he disembarks in Beacon Hill, he watches a video of a crew of women twerking on a stage—the camera going in close as butt cheeks flap, then backing up every so often.
I search online myself: what will Wild Waves become after it closes…
A one-story industrial warehouse spanning roughly 1,035,000 square feet with office space, truck docks, and trailer storage.4
I wish I was surprised. I am not.
I close my eyes and begin to imagine driving down I-5 in a few months, as we bear witness to the demolition of rides, of slides—of memories—and see it replaced with a warehouse, trucks, and storage. The doldrums of it all create an ache in my heart and bring a tear to my eye. Why does this feel so personal?
There is a field out beyond time and reason- I’ll meet you there.4
To what do we measure the success of a city? Is the rubric one of economic development—then tear it down, let’s place our bets on what we know will work.
But where will I find that tree in our city?
Where will I hear squeals of joy from above and share a blanket and a chair with neighbors across difference? Have adult women be caught up in the magic of a skip, or have a random woman scold me for not raising my imaginary son right?
What happens when our places of imagination become parking lots and warehouses?
What does that do to our hearts, to our ability to imagine a just and equitable society where all people flourish?
What does this do to our collective memory and our collective hopes?
And what about communal joy?
Imagination is political.
Imagination is Democracy.
Imagination is deep time in a system that works hard to give its citizens none.
Imagination is a place that we go to have hope, to find reprieve, and to practice utopia into being.
And these spaces and places are for all people. They must be.
This is not a eulogy for Wild Waves. It’s for what her existence and our experience of her, reminds us all of.
This is call and response to what she showed me and what she has held for those who have saved up their hard-earned pennies to give their kids a dream—and to the millionaire who steps into the park and has to share a blanket, or a seat, with a refugee for the first time.
Our future is shared, and it is up to us to cultivate the places and spaces where we all, together, want to run towards and not away.
It’s places like Wild Waves that remind us of beloved community.
As it’s torn down… we can honor her memory by committing to practicing her little slice of utopia into being across Seattle.
Wild Waves, may your memory make us more foolish, generous, imaginative, and connected than ever.
1 Hopkins, Rob. How to fall in love with the Future. P. 129
2 Haruki Murakami, Kafka on the Shore
3 Hopkins, Rob. How to fall in love with the Future. P.135-136
4 King5.com
4 Rumi, A great Wagon.
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